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The house, is home-like, sweet, and one which might perhaps day by day grow dearer to the heart; and this girl, this pretty creature who every now and then turns her eyes on Geoffrey, as though glad in a kindly fashion to see him there, seems a necessary part of the whole,—her gracious presence rendering it each moment sweeter and more desirable. "My precept to all who build is," says Cicero, "that the owner should be an ornament to the house, and not the house to the owner." "You terrify me," says Geoffrey, with a grimace. "You think, then, that Mona is pretty?" His tone is full of sadness and longing, and something akin to fear. He has been much in the world, and has seen many of its evil ways, and this is the result of his knowledge. As he gazes on and wonders at her marvellous beauty, for an instant (a most unworthy instant) he distrusts her. Yet surely never was more groundless doubt sustained, as one might know to look upon her eyes and mouth, for in the one lies honest love, and in the other firmness..

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She tucks up her dignified train in a most undignified haste, while Geoffrey covers up all the finery with the crimson shawl. The white cloud is once more thrown over the dainty cap; all the pretty coloring vanishes out of sight; and Mona, after one last lingering glance at Geoffrey, follows its example. She, too, flies across the rural bridge into the covert of her own small domain. A deep hush has fallen upon everything. The air is cold and piercing. Mona shivers, and draws even closer to Geoffrey, as, mute, yet full of saddest thought, they move through the leafless wood. Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her. "Is that the fashion here? If—if you loved a man, would you be faithful to him forever?".